Description

Hailed the Prince of the Impressionists,
Claude Monet
(1840-1926) transformed expectations for the purpose of paint on canvas. Defying the precedent of centuries, Monet did not seek to render only reality, but
the act of perception itself.
Working en plein air with rapid, impetuous brush strokes, he interrogated the play of light on the hues, patterns, and contours and the way in which these visual impressions fall upon the eye. Monet's interest in this space between the motif and the artist encompassed too the
ephemeral nature
of each image we see. In his beloved
water lily series
, as well as in paintings of
poplars, grain stacks,
and the
Rouen cathedral
, he returned to the same motif in different seasons, different weather conditions, and at different times of the day, to explore the constant mutability of our visual environment. This book offers the essential introduction to an artist whose works simultaneously reflected upon the purpose of a picture and the passage of time, and in so doing transformed irrevocably the story of art.
O autorze
Christoph Heinrich
estudió historia del arte, teatro y literatura alemana en Viena y Múnich, y obtuvo un doctorado por su trabajo sobre el concepto cambiante del monumento en el arte contemporáneo. Desde 1994 hasta 2007 estuvo empleado en el Kunsthalle de Hamburgo, donde fue nombrado conservador de la Galerie der Gegenwart en 1997. Desde 2007, Heinrich trabaja como conservador de arte moderno y contemporáneo en el Denver Art Museum. Es autor de numerosos escritos y ha organizado diversas exposiciones sobre arte del siglo xx y contemporáneo.